Gig Concentrate

1/29: The Teapot Gallery, Westfield MA

Pro: The venue was a candy shop. Jars of individually wrapped, brightly-colored bits of high-fructose corn syrup lined the walls. It was a free-for-all.

Con: The candy shop had closed down a few weeks prior, and we were the last event before the owner leased the place out. Due to various additional publicity obstacles, including us not knowing anyone in Westfield and computer viruses that send pornography out to all of your facebook friends, the band outnumbered the crowd.

Outcome: We drowned our sorrows in chocolate-flavored licorice and Heineken. Two thumbs up, but now Sam’s diabetic.

1/30: Wilbraham & Monson Academy, Wilbraham MA

Pro: Our first gig at a private school was advertised as an “Enrichment Credit Opportunity.” The kids came out in droves.

Con: In order to fit us into a distraction-free space, the school snack bar shut down until the following morning. Disappointment ensued.

Outcome: The school provided us with large plates of brownies and cookies, which we graciously shared with the kids. Dave accidentally said  the word “bitch” during Devil Went Down to Georgia, making good on the enrichment promise of the poster. We left the school knowing we had made a difference.

2/5: The Paramount Theater, Rutland VT

Pro: We were treated like rockstars. Free hotel rooms for two nights, a radio spot, and a gig with our favorite singer/songstress Caitlin Canty in a gorgeous, 800-person historic theater. The crowd was spectacular and the show solidified Vermont as a favorite gig destination.

Con: We had to leave.

Outcome: Wannagoback.

2/6: The Basement, Northampton MA

Pro: Our first show with the Iron Horse Group with our good friend Jay Bethea was a huge success. The crowd was filled with familiar faces and people were excited about the new sound. Pretty girls and cheap beer abounded.

Con: Jay bullied us into going out afterwards, saying that we needed to celebrate and that we could “go home and drink chamomile and talk about our feelings” some other time.

Outcome: We don’t remember what happened last night, but it was good.

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A Negative Space

Darlingside has just completed a string of six gigs in nine days. If you’re interested in knowing what happens at these gigs, please scroll down to a previous post. If you would rather hear about what happens somewhere else, though I would normally condemn your attitude as being against the spirit of this website, keep reading.

It is late afternoon, and the front door of the Darlingside abode closes with an ominous thud. A desolate silence descends. Shadows gather and arachnids crawl out from their hiding places.

Yes, tonight is gig night once again, and the house and I are left to enjoy each other’s meager company. Every few minutes a trivial sound rends the stillness asunder*. The whir of the heating system, the creak of a beam — unfamiliar, threatening sounds. Under standard conditions, they have no hope of competing with the baseline level of aural stimulation.

Already demoralized, I eat a solitary dinner and resolve to pass the time calmly until the dish fairy’s nightly arrival. These supernatural visits are fortunate as well as miraculous, because during a rigorous gig week, the five talented musician-dishwashers have too much on their plate to wash it too. No matter! With the help of our magical friend, a day’s worth of kitchen debris vanishes, practically in the twinkling of an eye.

But now the atmosphere is lifeless as a tomb. I brush my teeth and take a shower. Purposelessly, I venture from my room, bristling as Auyon doesn’t make fun of the shirt I’m wearing. I head toward the living room and trip over the absence of Harris’s guitar. Our eggplant-colored couch is a miserable sight to behold, seemingly bereft of its very soul. Sympathy compels me to assure it that Dave and his computer will be back soon.

Sigh. Neither Don’s incomprehensible jokes nor Sam’s sardonic comments relieve the oppressive silence. I sit down gingerly on the other sofa, feeling strangely exposed amidst the vastness of unbroken surface area. With growing unease, I notice a disturbing room-wide deficit in the number of Pyrex cup-measures occupied by soggy tea bags. I suppress my inquietude and begin to read.

The sepulchral night stretches on. When I finally seek the refuge of sleep, the house endures alone, articulating its suffering with violent creaks and groans.

In time, the triumphant band will make its late-night entrance — perhaps in a fanfare of celebratory trumpets, perhaps merely approximating the volume thereof. Invertebrates will retreat into corners and artificial illumination will fill the rooms. The house will breathe a heartfelt but inaudible sigh of relief.

*“literally”

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Aesop would be proud

On Tuesday, Darlingside had the pleasure of once again playing to a packed house in Cambridge. The show was at Toad, opening for the David Wax Museum, a Boston-based Americana folk band with a Mexican bent. While we’re heartbroken that many of our friends and family had to be turned away at the door (again), the bouncer said it was the longest line of people he had ever seen at the venue, and that doesn’t hurt our street cred one bit. The door situation also led to the quote of the night, from David Wax Museum’s Suz Slezak during their set: “Hey, speaking of GIRLS! How about Darlingside?” After a strategic pause, she mercifully added, “…They had like 50 girls waiting outside to get into the show!” Ohhhh.

Don and Dave performing at Toad. Photo courtesy Anand Jagannath

Having just played in Cambridge back in December with Caitlin Canty, to much the same crowd, this gig afforded us a particularly good opportunity to mark our progress over the last month, both with regards to the direction our music has taken and our general ability to perform it. In both respects it felt like we were a different band than we’d been back at Lilypad, and the audience seemed to agree. To be fair, we also had the advantage of playing to a more energetic, less sober crowd than was at the Lilypad show, which definitely didn’t not help. I even found out later that one front-row table of our friends was playing their own Darlingside drinking game, with rules like: Drink when two bandmates share a loving look; Drink when Auyon leans too far back, or when Harris’ leg starts to go crazy; Drink when Don says something particularly awkward, or when Dave makes a joke that nobody understands; Drink when Sam says anything at all. Sam, you recluse you.

Thanks a lot to Auyon’s friend Anand for snapping some great photos from the show, which you can see here.

After our set, we had a fantastic time hanging out with our Cambridge/Boston friends while the David Wax Museum performed their final show as Toad’s resident band. Their set was both fun and emotional, and at times powerfully charged; sometimes they quite literally took over the room such that it was impossible not to listen. It was great sharing the stage with them, and we’re hoping to bring them up to Northampton for another joint show in the near future.

We can’t help but enjoy the fact that our two Cambridge gigs thus far have been at “Lilypad” and “Toad,” which of course practically requires us to make stupid puns about how the second gig really “jumped off” of the first one, or about how “toads are technically terrestrial, so this would never happen in real life.” (Some of us were biology majors.) In keeping with that level of sophistication, we’re pleased to announce that the fable has a new twist: The Lucky Dog in Worcester, MA, where we played on Wednesday. What I’m thinking, maybe counter-intuitively, is that the dog is actually lucky because it DIDN’T eat the toad (maybe because the toad, having jumped off the lilypad just in time, is now safely underwater?). Many species of toad are actually quite poisonous, and dogs have been known to die from eating them. Please feel free to post your alternative theories below.

Oh, you actually wanted to hear about how the gig went…

Well, we had been warned, a few nights prior to the gig, that the Lucky Dog was a “metal biker bar” and that we shouldn’t expect a “good reception.” When we mentioned Worcester to The David Wax Museum, the response was something like pity. It was also the venue’s “free night” — essentially a brief audition to see if we were good enough to come back and play a paid gig. Our expectations adjusted accordingly, we were relieved when a lone female singer-songwriter kicked off the night, and with a great set at that. It was Misty Boyce, from NYC, and her sound ranged from edgy pop to gritty indie rock, and she was cute and funny to boot. She was followed by the hard-rock band Theoryshift, five really nice guys based out of Boston who fully utilized the catwalk-esque thrust part of the stage, as well as the upper range of their volume knobs. We followed Theoryshift with as much energy as we could bring, and were very well received by the crowd and the owner, who’s looking to have us back to open for his own band, which apparently always packs the place. Will Gattis was next, a wonderfully entertaining singer-songwriter down from Portland, ME, who is too easy to compare to Ben Folds, but really has his own quirky thing going on that I thought was great. Following Will was The Mile Run, two very friendly dudes rocking as hard as possible on acoustic guitars with raw, intense vocals that reminded me of Manchester Orchestra’s harder stuff (in a good way). The vibe throughout the night was one of friendship and mutual triumph, with some metal-biker-bar vibes mixed in, and a fair amount of vintage pornography vibes in the men’s room.

So, the Dog turned out to be very Lucky indeed, and we all had a great night and got to hear some really cool acts; hopefully we’ll find a way to hook back up with some of them for future shows. Meanwhile, Caitlin will be back in Hadley tomorrow to continue working on her upcoming EP, and we’ll be getting ready for the Haiti relief show in Rutland, VT this Friday. No animal-related venue names in the foreseeable future, so whatever happened between the Toad and the Dog — and really, it’s none of our business — the next chapter is a ways off.

Until next time,
Dave

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City of the Silk, Bean of the Radio

This post finds us in the midst of our busiest gig week yet. We just finished up a Friday/Saturday doubleheader at the Silk City Tap Room in Florence, MA and Radio Bean in Burlington, VT. And we’re currently en route to Toad in Cambridge, MA for a joint show with David Wax Museum. On the way back, we’re hitting the Lucky Dog Music Hall in Worcester, MA. So while I sit in the car with Auyon’s bony knees invading the back of my seat, I will give you the quick scoop on this week’s shows so far.

Silk City Tap Room was a good old-fashioned bar gig. It was great to stretch out a little and play a full hour set, bringing some older material back into the fold and debuting a very new song, tentatively called “Malea.” Our music seemed well received, and we definitely had lots of fun. We were psyched to see familiar faces from some previous local gigs (recurring patronage seems like it has to be a good sign). Even our kind landlady stopped in to hang out! We got help on the mixing board from members of the band “Wyld Stallyns,” who came on after us to regale the party people with our old favorites from the mid-90’s pop-rock catalogue. We made friends with some high-proof tequila representatives. Obviously mistaking us for athletes, they bestowed a variety of sweatband products and even basketballs upon us (see pic). They even made a half-hearted attempt to flirt with us until they realized we were more interested in Rubik’s cubes than girls.

Darlingside does not endorse the use of skinny black ties

Radio Bean was another big milestone for us as our first 400+ mile trip, and we did it in style. And by “style” I mean a big unmarked van rental. After driving around the small streets of Burlington looking more than a little sketchy (“we don’t have any lollipops, leave us alone!”), we arrived at the venue. Radio Bean surprised us first by having our tiniest stage yet, and second by having the coolest crowd we’ve yet experienced. We got set up with 2/3 of Sam’s kit on the riser, Auyon and Harris spilling off the edge, and Dave and I swordfighting throughout the night with our long-necked instruments (why does everyone smirk when I say that?). The coffee shop atmosphere segued seamlessly into a sophisticated bar scene, and the patrons were extremely receptive listeners. We found a metal bowl on a pedestal with undergarments in it that we somehow realized was the tip bowl. It got admirably refilled, albeit with more traditional tipping fare, and we proceeded to make friends with med students from UVM (even in the great white North, you can still be delighted to find clusters of Williams alum-dom). We then managed to get our silly on from the two comp drinks we received at the bar and ended the night RPS’ing for couches at Casa Andrew Eyre (a very schwank place to crash that we probably didn’t deserve– thanks again Andrew!).

More to follow shortly (hopefully not by me, for all y’allse’s sake) on the rest of this week’s tour (Toad in Cambridge, the Lucky Dog in Worcester).

Recap Notes:
RPS: Rock-Paper-Scissor
“more interested in Rubick’s cubes than girls [sic]”= not strictly true, although it’s a close call, Dave having spent the van ride up split evenly between “sexting” and finishing his cube in the light from the phone
“sexting”= what I am willing to assume people are doing whenever they ignore me and type on their little gadgets

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Performance Review & Interview from The Williams Record

Dominique Exume, Williams student and contributing writer for The Williams Record, has written a very nice review of our most recent show at Rebel Sound Records in Pittsfield, MA, as well as a general overview of our present goings-on. From the article:

The unique combinations of instruments were mesmerizing. Every song was unexpected … as soon as the six-song show was over everyone wanted more … Their music was so powerful and beautiful … I can see them going far.” — Dominique Exume, Williams Record

We’re really thrilled to be featured in the Record, and a million thanks to Dominique for her kind words (and for coming out to the gig!). We really enjoyed our first-ever interview, and we noticed that we’re actually really good at being interviewed, because we do things like think outside the box, like when we answer totally different questions than the ones we’re being asked, or when we ramble for as long as possible on obscure tangents while our interviewer is shivering in the cold. We’re the biggest thing to hit interviews since case studies. Since verbal reasoning skills. Since Katie Couric.

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Darlingside w/ Caitlin Canty — Volcano

With Caitlin over working on scratch takes for her new release, we thought we’d test out the recording setup on a live take of one of our favorite covers (by Irish singer-songwriter Damien Rice). Note Dave’s authentic Irish garb and Harris’ authentic hits-self-in-face at the one minute mark. See photos from the session here.

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Three little gigs, a.k.a. This little giggy went to the market

The recent and timely arrival of 2010 means two things for Darlingside: the completion of our new home studio (and the resulting urge to use it), and the first real month of steady gigging. We kicked off the former by recording some drum takes and scratch tracks for a few different band songs (see the pictures here), and Caitlin Canty will be arriving today to begin working on her upcoming release. The gigging is also underway; we competed in an exciting battle of the bands here at home last weekend, followed by two consecutive gigs on the road this past thursday and friday.

The annual “Happy Valley Showdown” at the Elevens in Northampton is a revered battle of the bands that brings in indie acts from all over the area, takes place over many weeks, and boasts some serious prizes for victors and runners-up alike. The whole thing is managed by our old neighbor Mark Sheehan, who is so contagiously passionate about music and about giving exposure to up-and-comers that by the end of the night I was kicking myself for not having befriended him when we lived next door. Mark made a point of clarifying several times that having a “battle” was more of an excuse to get people to come listen to acts they hadn’t heard of, and it certainly exposed us to some awesome local and quasi-local bands. Auyon, always wearing multiple managerial hats, managed to book one of the other acts, Leisure Colony, at his workplace, Sam’s Pizza, on February 18th. We’re really looking forward to seeing them play a full set and we think you’ll dig them too, so mark it on your calendars. Finally, we were honored and thrilled to be asked to come back for the finals of the showdown next month! Check back for more info on that soon.

On Thursday, we drove down to Hamden, CT to play a 30-minute set at The Space, a great venue owned by Steve Rodgers of the band Mighty Purple. The Space is something like an art collective meets a community center meets an indie rock venue with great food. We walked in to see Steve’s brother teaching guitar to a group of kids, were then ushered to a private room upstairs where we could relax / rehearse, given meal discount cards, and then left alone to study their collection of old arcade machines and shop in the vintage thrift store. In short, the vibe was awesome, and the short set length meant we would only be playing our best songs alongside a variety of other acts, so we were ready to, er, huff and puff and blow the house down. By the time we went on stage, about half of the audience was made up of friends and family, many of whom hadn’t yet heard us perform live, and in a way it felt like the whole place belonged to us. It ended up being one of my favorite gigs to date, even given the fact that during the first song, I unwittingly had my bass effects pedal set to modulate some ungodly fraction of an octave (the pedal was set atop my amp, so i had to just sit the song out). It wasn’t a perfect performance, but we had an absolute blast, received wonderful compliments from friends and total strangers, and Steve seemed very interested in having us back.

The Space, Hamden CT

The following night brought us to Rebel Sound Records in Pittsfield, MA for a gig that was similar in many respects. Again we were one of five or six acts, each scheduled to play for only 30 minutes, and again it was a listening venue with no alcohol. Instead of playing in “The Space”, we were playing in “The Room”. We played the same six songs (including a new cover — but if I told you what it was, I’d have to joust you) to a largely Williamstown-based crowd, many of whom came on a bus organized by the school. Again, we were received warmly and enthusiastically both by our friends and by complete strangers (including members of the other bands, whose styles were quite different from our own), and we had an incredible evening. The other bands seriously impressed us as well, and by the time we headed back home we’d made plenty of friends and exhausted plenty of ear-drums.

These two most recent gigs taken together paint a very clear picture of exactly how lucky we are as a band to have the kind of support that we do at this stage of the game, not just from our incredible friends and family but from the entire Williams community that continues to give more to us than we could ever hope to give back. A huge thanks to everyone who showed up to the gigs! There is simply nothing I can compare to the feeling of driving somewhere an hour away, going into some building I’ve never seen before, and then watching as people I love file through the doors so that I can show them what the guys standing next to me (or sitting behind me, Sam you recluse you) can do. There are times when writing and performing music as a career can seem like a misguided and confusing struggle — simultaneously too challenging to be worth the anxiety and too much fun to be worth taking seriously — but that feeling always goes away when the people start showing up, and your mouth starts to go dry, and you know that doing anything else wouldn’t feel right.

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A Studio Catbird

We’re recording the first tracks of The Catbird’s Seat in our newly-completed studio.  I couldn’t be more excited about finally putting all of our hard work (and gear) to the test…
Check back often for more photos of the process!

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A Live Catbird


December 12, 2oo9
Cambridge, MA

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A Diffuse Haiku

Don't you feel diffused just looking at it?

Sam builds “Diffuser”,
small step up from Playmobil:
basement walls sound kiiiind.

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